Jazzing it up

This week we switched the cable music channel from Smooth Jazz to just plain Jazz, and there has been no turning back. I’m keeping a list of the saxophone players that I hear on the channel, and pretty soon I’m going to need another index card: this one is almost full.

Why say no when it feels so good to say yes?

Starting with contemporary smooth jazz and moving to a mix of classic and contemporary jazz, I have heard from Dave Koz, Paula Atherton, Mindi Abair, Vandell Andrew, Riley Richard, Jazmin Ghent, Michael Lington, Richard Elliot, Hank Mobley, Don Byas, Dan Block, Marcus Anderson, Gordon Goodwin, Steve Cole. Charles Mingus, Kim Waters, Adam Schroeder, Ryan La Valette, Stanley Turrentine, Greg Chambers, Kirk Whalum, Art Farmer, Danny Green, Andy Snitzer, James Carter, Charlie Parker, Charles Lloyd, Ben Webster, Euge Groove, John Coltrane, Jimmy Smith, James Moody, Tia Fuller, Herlin Riley, Bobby Watson, Johnny Hodges, Scott Robinson, and Eddie “Lockjaw” Davis.

And each night last week I hauled out saxophone 2 while saxophone 1 was out receiving an estimate of the cost of cleaning and overall refreshment. I received that estimate on Thursday, and I decided to send in saxophone 2 for its own estimate in hopes that it would be less costly. In the end, I’ll be playing for my own pleasure and I’m not sure that pouring a lot of money down the bell of the alto saxophone I played in high school will make a huge difference to my ear.

Today, however, I had to do a different sort of musical practice, since sax 2 is on its way out and sax 1 hasn’t yet returned. So I sat down at the piano and restarted my Learn To Play Piano in Six Weeks or Less book. I don’t know how long I played; I didn’t even bother to set a timer. I took my time and enjoyed it. I’m looking forwrd to doing it again, and might even pay closer attention to the instructions this time.

This week I’ve been so busy listening to jazz and practicing the saxophone and going to physical therapy and going to occupational therapy and taking myself out for dinner and a saxophone concert and, yes, working, that I haven’t done anything towards the Impossible Read or any knitting projects. This week it’s been about [a certain amount of] variety and not so much about balance.

I am, however, sticking pretty well to my schedule of working on the book project. I’ve located a few more sources, asked a few more questions, and requested a few more inter-library loans. Watch this space.

Good afternoon, Irene

Watch for deer. I braked for at least four of them last week and I cannot emphasize enough that the deer are out there. They are ready, willing, and able to bolt across the road at any hour of the day. Remember when we used to see them only at sunset? That is no longer the case, my friend. Watch for deer.

In Wisconsin, saying “watch for deer” is code for “I care about you and want you to survive until spring.” So watch for deer. Ride the brake. Whatever it takes. Trust me, the deer are not watching for you.


This weekend Eldest and I discovered a typewriter at a local Goodwill and wordlessly agreed to add it to the collection.

First, we spotted the case — marked “as is,” $19.99. I opened the case only until I saw that several keys had been pressed at the same time, jamming their typebars together at the platen. Then I saw the name “ADLER” facing me on the top cover. I shut the case, Eldest grabbed it, and we almost ran to the cashiers before anyone else saw what we had. (Admittedly, even I didn’t know what we had yet.) He named it “Irene” even before we checked out. IYKYK.

What we had was a bargain bordering on a steal. It turned out that everything in that store with an orange sticker was half off that day. $19.99 turned into $10.46, which became $11 after we rounded up. At Goodwill, I always round up.

After we got home, Eldest and I each searched the Typewriter Serial Number Database. I couldn’t find the serial number in any of the Adler lists, but he was quickly in the photo galleries to find a match with a 1966 Adler J-4. Manufactured in Western Germany.

I don’t know why I am telling you this, but maybe you’re a budding typewriter collector who could use a reason to be persistent. So here are the “three strikes” that this typewriter seemed to have against it, to whomever donated it to Goodwill:

  1. It didn’t seem to type well. When I looked at the typewriter I saw that the ribbon setting was set to “stencil.” After I moved it to the “black” setting it was fine.
  2. The ribbon was broken. The ribbon had come loose from the right-hand spool, so the ribbon couldn’t advance when keys were pressed. I removed the spool, reattached the end of the ribbon, and replaced the spool. Perfect typing.
  3. The case latch seemed broken and the key was missing. If that’s a deal-breaker, I don’t know what to tell you. Other than, thanks for including the original case!

Bonus strike: the typebars were jammed together. This seems to be true of every manual typewriter in a resale shop. I gently released the tangle, as I always do, and everything is fine. It’s fine.

I watched a few YouTube videos to find out more about this particular model, and I kept hearing over and over again how wonderful this typewriter is. Honestly, it may be the best-working typewriter in my entire collection. I did a second typing test after re-spooling the ribbon, and it’s clear that I need not even replace the ribbon.

All this typewriter will need is a good cleaning, and it will be the star of my collection.


Knitwise, I cast on for a shawl and I’m plugging away on it. I have used up the partial skein of Dark Rose Heather Wool-Ease, knitted a two-ridge stripe from Dark Grey Heather, and continued in Dark Rose Heather for one-third of a full skein.

After I use up the full skein I’ll add another Dark Grey stripe, knit on the last full skein of Dark Rose, then finish in Dark Grey. Maybe with eyelets all across the last row. We’ll get there when we get there.

With the temperatures slowly dropping and the skies gently darkening, it was a good weekend to knit on a shawl. Those rows are pretty long now, so I’m not sure when I will finish it. But I will probably cast on for the next project right away.

Should it be something new? Or should I find a UFO (Unfinished Object) and resume working on it? Let me know in the comments.

Smart new world

Quite some time ago, I came across a Keurig machine at a thrift store. I had been looking for such an item for a while, and had come to believe that I would never find it. But lo and behold, there it was — for just $9.99. It didn’t look exactly like the model that my mother had recently purchased; hers had a tall water reservoir and this one had, well, a little well at the back of the machine. Evidently it was intended to make just one cup at a time, which was fine.

Anyway, I brought it home, cleaned the outside, and descaled the inside (after finding a copy of the manual online). Then I took it to work and set it up next to the K-pod drawer that I had purchased for the department (also at a thrift store) a few years before. It’s also next to three other coffee makers; we have a large department and we do go through a lot of coffee. We’re not permitted to spend department funds on anything food-related, though, so everything we use is either crowdfunded or scrounged from the thrift stores.

We soon found out that this Keurig was, shall I say, a little particular about how it preferred to receive user input. There was a definite order to the steps involved — and if you missed a step or pushed a button out of sequence, you would be arguing with it for a while before you received your cup of coffee.

Pour water, set mug under spout, raise lever, inset pod, lower lever, and lean on the giant “K” button. That should have been simple, but the process often felt complicated. The machine would make some noise, then just sit. And sit. Sometimes you would get a cup of coffee and sometimes you wouldn’t. We did learn that when the big “K” button double-flashed every 30 seconds or so, the machine was actually going to make coffee. To paraphrase part of a rhyme my father used to tell me about a curly-headed little girl, when it was good it was very very good, but when it was bad it was horrid.

In the back of my mind, I wished there were something I could do about it. Lo and behold, just after Thanksgiving I found another Keurig in another thrift store, for $19.99. This one looked sort of like my mother’s, with a large reservoir off to one side. It was called a SmartBrew. I took it back to her house, cleaned it up, and promptly made two mugs of Earl Grey tea (hot) using K-pods she had on hand. Perfect! No issues.

I brought the new machine back to Wisconsin and took it to work as soon as I could. Out with the old, I thought, unplugging the single-cup model and taking it back to my office, and in with the new, hauling the new machine to the kitchen and plugging it in.

The SmartBrew had a lot more buttons — and a video panel. It started up right away. Then it asked to be connected to the wi-fi. And suggested that I download the Keurig app. And wouldn’t make any beverages for me until it had that wi-fi.

Uh-oh.

For context, I need my smartphone to complete the multi-factor authentication process for every piece of software that I use in the course of my job — and I don’t even put my own phone on the university’s wi-fi system. I didn’t want to answer to a network administrator (hi, Matt!) who detected a coffee maker on our network. I did download the app, though, thinking that I would need it later.

Back with the old, I thought, hauling the finicky single-cupper back to the kitchen and plugging it in again, and home with the new, taking the bandwidth-hungry new machine to my car so I could take it home.

For a few weeks I didn’t know where to put it. Then I moved it to my writing desk, next to my iMac, but I couldn’t plug it in there because its cord was too short. For a moment I considered mounting the power strip on the back of my desk so that the cord would reach, but it seemed like a ridiculous amount of work.

Then, while I was in the midst of reorganizing my kitchen this weekend, I suddenly saw the perfect place for the new machine. It meant moving eight glass jars filled with various flours and sugars to the dining room. The best place to put those jars was on the sideboard where the books for the Impossible Read were set up. So I squeezed some items together and created shelf space for the (currently) thirty-two books of the Impossible Read. Then I set up the glass jars on the sideboard. And then I was able to plug in the new coffee maker. Huzzah!

Add water, said a message on the screen. So I filled the reservoir.

Connect to wi-fi, the screen now read. Follow instructions on app.

I would like to say that this was a simple process. I scanned the QR code on the back of the machine three times, checked my Spectrum records for the network password, and entered the password at least two times before it “took.” But in the end, after about half an hour, I had the machine all hooked up with the home network — and I clicked on the “BREW” button in my Keurig app to make my first mug of Green Mountain Nantucket Blend Medium Roast coffee.

Then the SmartBrew registered itself and extended my warranty by an extra twelve months.

It was a good cup of coffee. But then I noticed a new message on the screen.

Software update detected, it read. Machine will restart after installation. And it did.

In fact, if I put my coffee mug in place and insert a k-pod before I go to bed tonight… I can press that “BREW” button in the app and start my next cup before I even get out of bed.

When I haven’t been wrestling with technology, I have been immersing myself in a book I picked up on the university bookstore’s discount shelf on Friday morning. Its title, Morning Altars, intrigued me, and the photography was stunning.

It turns out to be an amazing book that connects Zen and art and creativity as a spiritual practice. And the author has a series of short videos that sum up each chapter of the book. Here’s a video that gives a good overview of the concept. As he mentions, it’s an exercise that allows you to build up a certain tolerance for impermanence.

At first, I told myself that I could read the introduction on the first day and then go through the rest of the book at one chapter per day. After I started getting into the book, my plan began to sound like nonsense. It was a holiday weekend, why couldn’t I just dive in and read the whole book? Why was I being so strict with myself, metering out the book in such tiny portions? So I have been reading a chapter and thinking about it, then watching the corresponding video. Tonight I’m almost through the entire text.

This morning when I walked Monty, I saw a little “fairy ring” in the grass. So I decided to try my hand at making my first altar. I didn’t follow all of the steps, because I didn’t know about them yet, but it was really satisfying just to do the little that I did with arranging the leaves and blossoms that I found.

One of the steps of the altar-making process is to share the altar that you make. So I used this image as my first-ever Instagram post, with the hashtag MorningAltars. I am still trying to figure out how to use Instagram, but when it asked who else I wanted to share the post with, I typed in MorningAltars — and lo and behold, the author did have an account. I shared the photo, and a short while later he put a little heart on my post. So that’s a heartening little human-to-human connection made possible by, of all things, Instagram.

I wonder what natural objects I’ll find tomorrow morning, and what I might make from them?


Knitwise, I added a few more repeats on the Thrifted Stripe scarf; I’m at 41 repeats now and will measure it at 45 to see if that will be enough.

I went through a lot of my stash to see if I could find any little scraps or partial skeins of Plymouth Encore in color 151, but I came up empty. However, I did decide to pull out some nice-looking yarn and match it with patterns.

I have one skein of Trekking Pro Natural in a pale grey (color 1511, oddly enough), and after searching through Ravellry for a while I decided to knit it up in a shawl pattern named Reyna. One Ravelrer who made the shawl added some modifications to use up the entire skein, so I’ll have to go on Rav at some point and make a note of the changes she made.

The other yarn consists of two balls of Sublime (get this) Cashmere Merino Silk Aran. In black. The pattern I really liked was “Cosy knitted hand/wrist warmers” by Joelle Hoverson, but the yarn is worked on two 8-inch circular needles, a technique I have never used. I had better look for a new pattern or commit to learning something entirely new. The wristwarmers do look so nice….

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